1.0Umeå Film Festivalhttps://ueff.se/enrich600338<blockquote class="wp-embedded-content" data-secret="wayYOjj9KC"><a href="https://ueff.se/en/film/full-phil/">Full Phil</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ueff.se/en/film/full-phil/embed/#?secret=wayYOjj9KC" width="600" height="338" title="“Full Phil” — Umeå Film Festival" data-secret="wayYOjj9KC" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://ueff.se/wp-content/uploads/2026/11/fullphil.jpg714430American industrial magnate Philip Doom travels to Paris with his adult daughter Madeleine in an attempt to reconnect. But the trip soon takes an absurd turn when French food, an old horror film and a meddling hotel employee get in the way. Quentin Dupieux (known to UEFF audiences for Deerskin, Mandibules and Second Act) transforms […]